The 63rd BFI London Film Festival in partnership
with American Express is thrilled to announce new Screen Talks with Michael B
Jordan and Céline Sciamma, alongside previously announced Lukas Moodysson, Kim
Longinotto and Rian Johnson. William Nicholson and Atom Egoyan are announced
for LFF Connects, talks with artists working at the intersection of film and
other creative industries. The Festival also adds five additional films to the
screening programme with European Premieres of Trey Edward Schults’ WAVES,
Destin Daniel Cretton’s JUST MERCY, Gabriela Cowperthwaite’s THE FRIEND, the
International Premiere of Kasi Lemmons’ HARRIET and the UK Premiere of Olivier
Assayas’ WASP NETWORK.
NEW FILM
ADDITIONS
WASP
NETWORK
Screening
in DEBATE
Sat 12
Oct Cine Lumiere 17:30
Dir-Scr
Olivier Assayas. Prod Rodrigo Teixeria, Charles Gillibert, Lourenço Sant’Anna.
With Penélope Cruz, Edgar Ramírez, Gael García Bernal.
France-Brazil-Spain-Belgium 2019. 130min. Sales Orange Studio
Olivier
Assayas takes us deep into the world of Cuban spies in Florida, in this
1990s-set espionage drama with a sting in its tail.
One
morning on a routine flight, Cuban pilot René does not return to base, instead
flying to Miami for a new life. Another pilot Juan Pablo swims to Guantanamo Bay
and is rewarded at the U.S. military base with a McDonald’s meal. As the men
start to thrive in the anti-Castro expat community, they are soon running into
political activism, FBI interference and the temptations of Florida life. Based
on a true story, and featuring superb turns from Penélope Cruz as René’s
principled wife Olga and Ana de Armas as the embodiment of the American dream,
director Olivier Assayas has crafted a smart, evocative and meticulously
textured spy procedural, which builds to a fascinating meditation on loyalty,
ideology and the human cost of espionage.
WAVES
Screening
in DARE
Sat 12
Oct Odeon Luxe Leicester Square 21:15
Sun 13
Oct Vue 6 20:30
Dir-Scr
Trey Edward Shults. Prod Jim Wilson, Kevin Turen. With Kelvin Harrison Jr,
Lucas Hedges, Taylor Russell. USA 2019. 135 min. UK Distribution Universal
Pictures International
Following
Krisha and It Comes at Night, Trey Edward Shults continues to impress with one
of the year’s most dazzling cinematic achievements, a study of a family’s dramatic
unravelling and redemption.
Popular
high-school athlete Tyler (an astonishing Kelvin Harrison Jr. who also shines
in Luce) lives a seemingly privileged life. An all-star wrestler with a
loving girlfriend and a supportive, affluent family, he spends his days
training, and his nights partying. But beneath the fragile veneer of
perfection, cracks are beginning to show. Under constant scrutiny from his
overbearing father, ignoring the reality of a potentially serious shoulder
injury and reeling from an unexpected development in his romantic relationship,
Tyler’s world looks set to implode. As the pressures around him steadily mount,
a series of events are put in motion which threaten not only Tyler’s happiness,
but also the lives of the people he loves the most. To give too much away would
risk spoiling the unforeseen complexities of this devastating family drama,
which consistently surprises and astounds with its bold narrative ambition and
bravura visual language. Once again, Shults continues to prove himself one of
contemporary cinema’s most distinctive filmmaking talents, crafting an
intricate tale which is at once bracingly experimental yet always emotionally
accessible.
JUST
MERCY
Screening
in DEBATE
Sat 5
Oct Vue 7 14:45
Wed 9
Oct Odeon Luxe Leicester Square 14:15
Dir Destin Daniel Cretton. Prod Gil Netter, Asher Goldstein, Michael B
Jordan. Scr Destin Daniel Cretton, Andrew Lanham. With Michael B. Jordan, Jamie
Foxx, Brie Larson. USA 2019. 136 min. UK Distribution Warner Bros.
Entertainment UK
Michael
B Jordan and Jamie Foxx excel in this powerful and impassioned death row drama
based on real events.
Fresh
from Harvard Law School, fledgling attorney Bryan Stevenson (Creed star,
Jordan) defies the wishes of his parents, who are concerned about the
notoriously racist South, when he ventures to Alabama to open a law practice to
support death row inmates routinely denied proper legal counsel. Meeting with a
variety of prisoners, Stevenson soon encounters Walter “Johnny D” McMillan
(Foxx), a black man accused of the brutal murder of a white teenage girl, an
allegation he vehemently denies, with numerous factors clearly supporting
innocence. Despite Johnny D’s scepticism that he will be afforded due diligence
by a corrupt system, Stevenson hires local advocate Eva Ansley (Brie Larson),
and mounts an urgent case for a retrial, uncovering a chain of injustices and
crucial oversights as they search for the truth. Adapted from Bryan Stevenson’s
own bestselling memoir, director Destin Daniel Cretton’s methodical and
interrogative approach paints a searing (and often infuriating) portrait of the
fight for justice in the face of structural racism, which feels all-too timely
nearly three decades after the case in question. Driven by powerhouse
performances from Jordan and Foxx, who are ably supported by a stellar cast
including Larson, Rafe Spall and O’Shea Jackson Jr, this is cinema at its most
inspiring and essential.
HARRIET
Screening
in JOURNEY
Fri 11
Oct Curzon Soho 18:00
Sun 13
Oct Embankment Garden Cinema 14:15
Dir Kasi Lemmons. Prod Debra Martin Chase, Daniela
Taplin Lundberg, Gregory Allen Howard. Scr Kasi Lemmons, Gregory Allen Howard.
With Cynthia Erivo, Janelle Monáe, Leslie Odom Jr. USA 2019. 125 min. UK
Distribution Universal Pictures International
Cynthia
Erivo (Widows) gives a show-stopping and star-making turn as the American
revolutionary anti-slavery heroine Harriet Tubman in Kasi Lemmons’ Harriet.
Born
into slavery, Harriet Tubman nonetheless escaped the South of the US and
travelled alone over 100 miles on foot to the first free state, Philadelphia.
But finding it impossible to enjoy her freedom while others were enslaved, she
returned as a fugitive over 13 times to dangerous Confederate states, helping
more than 70 people escape in the years before the Civil War. In a performance
that seems to glow from within, Erivo embodies the scale of defiant,
clear-minded will that helped Tubman achieve the seemingly impossible, and
she’s ably abetted by an impressive ensemble including Janelle Monáe, Joe Alwyn
and Clarke Peters. And who better to bring this story to the screen than Eve’s
Bayou director Kasi Lemmons (whose own achievement of being one of the few
female directors of colour in Hollywood for decades is also a defiant act of
heroism). A timely and stirring reminder than sometimes the most powerful
thing in the world is one individual with a will.
THE
FRIEND
Screening
in LOVE
Mon 7
Oct Curzon Mayfair 18:00
Thu 10
Oct Vue 4 12:00
Dir
Gabriela Cowperthwaite. Prod Kevin Walsh, Michael Pruss, Ryan Stowell, Teddy
Schwarzman. Scr Brad Ingelsby. With Jason Segel, Dakota Johnson, Casey Affleck.
USA 2019. 124 min. UK Distribution STXinternational
Jason
Segal, Dakota Johnson and Casey Affleck star in this intensely moving and
beautifully mounted drama detailing how a friend saved a family after a young
mother’s diagnosis with cancer.
The tagline of Matt Teague’s autobiographical
article from a 2015 issue of Esquire devastatingly reads: ‘His wife was just
thirty-four. They had two little girls. The cancer was everywhere, and the
parts of dying that nobody talks about were about to start. His best friend
came to help out for a couple weeks. And he never left’. A sensitive adaptation
of that piece, Gabriela Cowperthwaite’s (Blackfish) The Friend is
a deeply affecting study of love, with Affleck and Johnson as the Teagues and
Jason Segal their closest friend Dane, the man who saved Matt’s life as his
wife’s condition worsened. While Johnson is always a charismatic screen
presence, this is essentially a portrait of male friendship, powered by two
commanding performances. Segal (The Muppets, How I Met Your Mother) in
particular brings warmth and charm to a soulful Dane. While viewers should
expect tears from a film that tackles the notion of dying ‘well’ – if there is
such a thing – this is also a drama about living, even when that seems
unfathomable, through the love and support of friends.
NEW
SCREEN TALKS AND LFF CONNECTS
SCREEN
TALK: CÉLINE SCIAMMA
Wed 9 Oct BFI Southbank 12:00
One of
the leading French screenwriters and film directors Céline Sciamma joins us to
talk about her career and the making of her fourth feature film, Portrait of
a Lady on Fire. Sciamma is fascinated by female identity and sexual
fluidity during adolescence. Her 2007 debut Water Lilies depicted
teenage sexuality burgeoning among synchronised swimmers; it screened in the
section Un Certain Regard at the Cannes Film Festival that year and was
nominated for three César Awards, including Best Debut. Tomboy (2011)
was about a 10-year-old transgender child; it premiered at the 61st Berlin
International Film Festival and was shown in French schools as part of an
educational programme. Her 2014 film Girlhood was selected to be
screened as part of the Directors’ Fortnight section of the 2014 Cannes Film
Festival. The film was also played at the 2014 Toronto International Film
Festival and the 2015 Sundance Film Festival. Sciamma considered the film,
along with Water Lilies and Tomboy, a coming-of-age trilogy. In between
directing her own films, Sciamma continues to work as a screenwriter for other
directors. She was sought after by André Téchiné to co-write the screenplay for
his 2016 film Being 17. In 2017 Sciamma won the Cesar Award for Best
Writing for her adaptation of Gilles Paris’ 2002 novel “Autobiographie d’une
Courgette”. Portrait of a Lady on Fire premiered in Competition at the
2019 Cannes Film Festival, where it won the Queer Palm and the award for Best
Screenplay.
SCREEN TALK: MICHAEL B JORDAN
Sun 6 Oct Odeon Luxe Leicester Square 11:30
With a career trajectory that parallels frequent
creative collaborator Ryan Coogler, Michael B Jordan’s rise has been meteoric.
From a stunning, acclaimed performance in Coogler’s Sundance-winning Fruitvale
Station in 2013, he went on to global megastar status with an intense,
soulful turn as titular pugilist Adonis Creed in the Creed series of
films and as Erik Killmonger in Black Panther. Pre-Fruitvale,
Jordan impressed in television with roles in acclaimed shows The Wire
when he was still in his teens and, just a few years later, Friday Night
Lights. Moving into producing, he started his own company Outlier Society,
which has a first look deal with Warner Brothers. A powerful advocate for
inclusion in the industry, Outlier was one of the first in 2018 to publicly
adopt the Inclusion Rider – a contractual stipulation which requires the hiring
of a diverse cast and crew on projects. Just Mercy, directed by Destin
Daniel Cretton, is one of the first projects the company have produced with the
Rider in place. The film stars Jordan in a lead role which garnered rave
reviews on its recent World Premiere at Toronto International Film Festival.
LFF CONNECTS: WILLIAM NICHOLSON
Sat 5Oct Curzon Soho 11:00
Celebrated screenwriter, playwright, novelist and
filmmaker William Nicholson joins the LFF to discuss his career journey from
working for the BBC as a director of documentary films to making of HOPE GAP,
his second feature film as writer and director. Having directed numerous
television documentaries from the mid-1970s to mid-1980s, Nicholson went on to
write the plays Shadowlands and Lifestory, both of which won the
BAFTA Best Television Drama award, as well as award-winners Sweet As You Are
and The March. In 1988 he received the Royal Television Society’s
Writer’s Award. His first stage play, an adaptation of Shadowlands, was
Evening Standard Best Play of 1990, and went on to a Tony Award-winning run-on
Broadway. In 1993 he was nominated for an Oscar for the screenplay of the film
version, which was directed by Richard Attenborough and starred Anthony Hopkins
and Debra Winger. His second Oscar nomination came for his co-writing work on
the Russell Crow blockbuster Gladiator in 2001. Since then, his
screenwriting credits include: Elizabeth: The Golden Age, Les
Misérables, Mandela: Long Walk to Freedom, Breathe and Everest.
In between working as a screenwriter and novelist, Nicholson wrote and directed
his first feature film Firelight (1997). Hope Gap premiered at
Toronto International Film Festival this year.
LFF
CONNECTS: ATOM EGOYAN
Tues 8
Oct BFI Southbank 16:40
Atom
Egoyan is one of the most celebrated contemporary filmmakers. His body of work,
which includes opera, theatre, music, and art installations, delves into issues
of memory, displacement, and the impact of technology and media on modern life.
Egoyan joins us to discuss his distinguished career and the making of Guest
of Honour, his latest exploration of unresolved personal trauma and its
unintended consequences. Egoyan started his career as a short film director at
the age of 17 and made five short films between 1977 and 1982. He debuted as a
feature film director in 1984 with his film Next of Kin. His commercial
breakthrough came with the film Exotica (1994). He received the Grand
Prix in Brussels, the FIPRESCI Jury Prize at the Cannes Film Festival, and Best
Motion Picture at the Canadian Screen Awards. However, it was Egoyan’s first
attempt at adapted material that resulted in his best-known work, The Sweet
Hereafter (1997), which earned him three prizes at the 50th Cannes Film
Festival: the Grand Prix, the FIPRESCI Jury Prize, and the Prize of the
Ecumenical Jury. The film also earned Egoyan Academy Award nominations for Best
Director and Best Adapted Screenplay. In 2009, Egoyan directed the erotic
thriller Chloe, starring Julianne Moore, Liam Neeson, and Amanda
Seyfried in the title role; the film became one of the higher-grossing
specialty films of the year. Egoyan is a Companion of the Order of Canada and a
Chevalier of the Ordre des Arts et des Lettres de la France.
Tickets go on sale to BFI Champions Thurs 19
Sep 10am, BFI Members Thurs 19 Sep 11am and to the public from Fri 20 Sep
10am.
16-25 year olds will have access to £5
tickets advance sale for Harriet and the Screen Talk with Michael B
Jordan
